The Shapes of Everyday Thoughts
Part II
©Lorena Loo
Strictly impersonal thought-forms float about detached. Provided they do not come into contact with another, they eventually dissipate.
If, through training and work, a person has evolved to where the lower thoughts and emotions no longer comprise their makeup, then these types of thought-forms and vibrations will pass through them like Chinese food. i.e. They are unaffected by them.
When it is the thought wave (i.e. radiating vibration) that affects people, it is the nature of the thought that is conveyed rather than the subject. A Buddhist in deep devotional meditation to Buddha will trigger rapt devotional thoughts in others, particulary those who are accustomed to similar thinking. In a Hindu it would most likely trigger devotion to a Hindu deity such as Krishna; in a Christian to Christ, say. Everyone, consciously or not, would be affected to some degree, some possibly even awakened to higher powers of thought.
The stronger and clearer the thought, the greater its impact on others and the greater number of people it will affect. There is a saying in eastern spiritual teachings that the right person thinking the right thought can make all the difference in the world.
Thoughtography:
In the fall and winter of 2005, the Metropolitan Museum of Art held an exhibit entitled "The Perfect Medium: Photography and the Occult." Part of the exhibit featured photographs of so-called vital forces believed to emanate from the human body. Thoughts, feelings and dreams were some of these vital forces and they were captured directly onto sensitive photographic plates by French researchers such as Louis Darget and Hippolyte Baraduc.
Darget (1847-1921) was the French pioneer of Thought Photography and also produced color photos on glass plates showing human fingerprints with aura forms. Both Darget and Baraduc, a neurologist by profession, photographed their own thoughts and mental energy by placing their fingers or foreheads on or within close proximity to sensitized plates.
In the June 20, 1903 issue of Age magazine, Baraduc claimed he had been able to photograph emotions. "I have obtained photographs of love, hate, joy, grief, fear, sympathy, piety, & etc. No new chemical is necessary to obtain these results. Any ordinary camera will do it. All I have done is to apply an old invention to a new use."
Baraduc had invented a device called a biometer with which he used to measure the "vital and nervous force" of a patient thought to be mentally ill. The device consisted of two glass bell jars placed side by side, inside each of which was a sensitive copper needle suspended by a silk thread. The needle was fastened loosely to the top of a circular card which had been marked into degrees to gauge the position of the needle. The jars were placed on a wooden support beneath which was a coil of copper wire used to condense the "current" but not in any manner connected to batteries or other apparatus. When the fingers of both hands were brought within an inch of the glass jars, the degree of deflection of the needles within would register the patient's "vitality current." Whatever the true nature of this force was, Baraduc believed it to be universally present, operating as a vital current of energy within each person and existing and flowing through every physical organism. To some extent it could be controlled by the power of the human will. Anyone familiar with eastern spiritual teachings will at once know this vital force by other names such as chi or prana. Baraduc believed it to be a fluidic ether (aether).
Baraduc applied the biometer to 5,000 patients and in each case "observed" the effect the emotions of the patient had on the needles. If emotions affected sensitized needles that way, Baraduc reasoned they would also produce an effect on a photographic plate. So he took highly sensitive dry plates wrapped in light-proof paper and held them about twelve inches from the patient's head. Typically he would wait until the patient was the most agitated emotionally.